Audiences don’t realize how important they are to a play. It’s not just ticket sales. They are part of the show. As I write this, last night we had our dress rehearsal for the play we are about to put on: The Outsiders . After the rehearsal our director told us that even though we have been working at this for six weeks, we have not yet produced “theatre.” He said that tomorrow, after we do it in front of an audience, that will be theatre. He was correct. A play isn’t a play without an audience, just like a song isn’t a song without someone to hear it. A stage play is a symbiotic relationship between actors, crew and audience. The audience draws energy and emotions from the players. But also, the actors draw energy from the audience. Not just in a comedy when they can hear the laughter, not just at the end of the act when there is applause. The energy is there. It is palpable. The actors feed off it. A play performance is a tenuous thing. It only exists once at that particul...
The only formal theatre training I ever had was in a high school drama class. I was a shy, unconfident, insecure kid. The thought of standing up in front of a class and speaking made me physically ill. I never would have signed up for this class if it weren’t for the fact that two of my friends were doing it. I had been in a couple of school plays in grade school and I liked those experiences. But a drama class, as I was to learn, was very different. About 90% of the class was improvisation: you are thrown into a situation, and you have to figure out how to get through it. The teacher was very good at his craft and later went on to found his own theatre company. But he put us through our paces. I was nowhere near my comfort zone. When you are an insecure kid, the last thing you want is to look foolish in front of the class. Being thrown into an improv situation with no idea how to get through it, made for plenty of opportunities for looking foolish. In addition to improv training, we s...