Skip to main content

Willing Suspension of Disbelief



Willing suspension of disbelief is a phrase that refers to what we all do as readers. For example: we know there are no such things as werewolves, but we are willing to go with it in a story. That being said, that willingness to suspend our disbelief can be stretched to the breaking point. I have read novels (I won’t mention any names) that were so over the top as to be unbelievable. At that point I either must decide if I can enjoy it as camp or simply not worth my time.

Back when I was in college in my first phase of attempting to be a writer of science fiction, I was given some good advice. I was told that you were allowed one “wonder”: one thing that wows the reader even though it may not be quite scientifically plausible. Wrapped around that wonder though, everything has to make sense. Things need to be consistent as they relate to the wonder. For example, you could have time travel in a story. It is pretty much universally accepted in the real scientific community that time travel (at least traveling back in time) will forever be impossible. That doesn’t mean you can’t use it in a story. People are willing to suspend their disbelief in time travel as long as the story is good and all the other elements of the story are eminently believable. If you start throwing in multiple impossible things, readers will start to walk away.

This concept may be a bit looser in a fantasy novel, but even so, there are always consistent rules that apply to the world in question. For example, Gandalf may be able to do some magic, but he cannot fly. Not only does this follow the rule, but it makes the story better. If the good guy can do anything, then there is not much at stake when he is fighting the bad guy.

One could only wish that Hollywood would follow this rule, but more often than not, movies seem to follow a rule that says the more wonders, the better. Some of the impossible things that happen in movies are just because the movie makers don’t understand science (speedometers in space?) This even holds true for many movies that were made from good science fiction novels, because Hollywood just can’t resist tinkering. Of course I am not saying all science fiction movies do this, but many do.

In my own writing I have tried to follow the “one wonder” rule. Some of my stories don’t even have the one. As for my early stories that violated this rule, yeah, they weren’t very good. But then, many of my early stories weren’t very good anyway because I did not really know what I was doing. If you are a writer you should always try to gauge how far you can take your readers before you step over the line.

(My novel Star Liner, is now available as an ebook through Copypastapublishing.com, or the other usual online sources. For those who like to turn physical pages, the paperback will be out soon).
zon.com/dp/B07DPW7GFW

Comments

Popular posts from this blog

Second Wind

  You have heard about athletes getting their second wind? It is not that they feel better, that they are warmed up and ready to run more easily. It is not psychological (at least, not all psychological). No. There is an actual physiological truth to a second wind. It all has to do with respiration. When I say respiration, I am not talking about breathing. Respiration is a biochemical process that happens at the cellular level. It is how the cell gets energy. There are lots of chemical processes that are constantly going on in each cell, and those processes require energy. Without a constant feed of energy, the cell will die. The more demands there are on a cell, the more energy it needs. For example, every one of your muscle cells need more energy when you are running.   In fact, you won’t be able to run if the cells don’t have sufficient energy for it. The energy currency of the cell is a molecule called ATP. You may have heard that sugar is how our bodies get energy, wh...

Roy Batty Figures it out

  This is written with the assumption that the reader has seen the film Blade Runner . If you haven’t, you may not get much out of it. In one of the last scenes in Blade Runner , the killer android Roy Batty, who holds Deckard’s life in his hands, has a remarkable speech: “I've seen things... seen things you people wouldn't believe. Attack ships on fire off the shoulder of Orion. I watched C-beams glitter in the dark near the Tannhäuser Gate. All those moments... will be lost in time like tears in the rain. Time to die.” I am told that the speech that was written was not working very well, and Rutger Hauer was told to just improvise something. Wow. He nailed it. At this point in the film Roy Batty has been the villain throughout. We have been rooting for Deckard (Harrison Ford) to take him out, but it is not going well, and it seems like Batty is about to kill him. At the last second, Roy Batty pulls Deckard up, to keep him from falling to his death. Then he delivers this...

The Outsider

  I am reading The Outsider by Stephen King. The first 150 pages or so I found disturbing. Not for the reason you might think. It is not scary, not creepy in a traditional horror way, but disturbing in a tragic way. The first hundred to 150 pages is tragedy on top of tragedy. The most disturbing thing to me (it is disturbing to me anytime I encounter it in any story) is a false accusation. A man is falsely accused and may well be convicted of a horrific crime. That kind of thing disturbs my soul. It makes the whole world seem wrong. I have always been disturbed by stories with that kind of thing. And why not? It happens in real life too. That makes it all the more horrific. In the Jim Crow South, all you had to do was make an accusation against a black man to set the lynch mob in action. No need to bother with a trial. But even if there was a trial, the outcome was a foregone conclusion, innocent or not. We see Vladimir Putin inventing charges against people and they get locked up...