Skip to main content

Song for a New Day (review)


 

I wouldn’t really call Sarah Pinsker’s novel A Song for a new Day a post-Apocalyptic novel because the apocalypse isn’t all that apocalyptic. But then that might be because I have become sensitized to it. The problems start with terrorist strikes, but then there is a global pandemic. You say, this is science fiction? Sounds just like the past couple of years. And it is, except that this book was written in 2019, just before we had a global pandemic.

There are two main characters: a singer named Luce Cannon (great name for a rock singer). She was an up-and-coming talent when everything went south. She gave up music for a while but then found the irresistible pull calling her back.  The other main character is a young wide-eyed talent scout named Rosemary. Rosemary has lived in her bubble for most of her life. She learns to push back some of her fears to grasp new opportunities. Her naivete is endearing but also lands her in trouble. There are two other ever-present entities in the book that aren’t really characters. One is a corporation that has its hands in just about everything, and it is hard not to spot the similarities with Amazon. The other is a sort of virtual reality music space called StageHoloLive that have pretty much monopolized the music industry. If people are not allowed to go to music concerts, StageHoloLive fills the bill. Well, that was the idea anyway. Unfortunately, even the most immersive virtual reality concert is not the same as being at a live concert (for either the audience or the band). But people who have never seen a live concert, don’t know any better. It is interesting that in our real-life pandemic of 2020, virtual platforms started springing up for concerts, conferences, and other “gatherings.” Even if they are not as sophisticated as StageHoloLive, the parallels are striking. Another thing that is parallel is that no matter how many Zoom conferences and concerts, plays, and meetings I have attended in the past two years, they always leave me wanting. It’s just not the same.

A Song for a New Day is a cautionary tale about the overindulgence of fear. People who hadn’t lived much of their lives before the event, were conditioned to fear contact with other people. In this world there are laws against “congregation” and most people seem content to obey them. But artists have always been a different breed, and music is stifled if there is no interaction with an audience. There are corporations and governments who benefit from fear and in the novel, they do everything they can to keep people in fear so they can retain their power.

An important point of distinction: when scientists tell you to fear something, you should listen. When government tells you to fear something, you should question it.

One of the things that does not quite parallel our current world, is the population’s more or less acceptance of the situation and conformance to the laws forbidding large gatherings. The characters we are following are in the rebel minority, but it is clear they are a minority. Most people obey the laws and avoid close contact with others. In our pandemic it started out that way, but it didn’t last long before hoards of people were revolting against restrictions. I can’t blame Pinsker for not seeing that coming. The whole past few years have been rather bizarre, and not just because of the pandemic.

This is not a fast-paced action thriller. It is a human story, and it is a story about trust. Do we trust the system? Do we trust each other? How is trust restored? A Song for a New Day gives a good impression of what it is like to be a musician, to be driven by the impulse to create and perform. Pinsker speaks from experience, being herself a musician. I am not a musician, but I helped raise one, and I know how frustrating and glorious the world of music can be. As well as giving you something to think about, this book will have you craving live music. One person really can make a difference. Thank you, Sarah Pinsker. We could all do with a little optimism right now.

Star Liner

Comments

Popular posts from this blog

Retired

  I retired this week. So, big lifestyle changes for me? Not so much. I retired on Thursday. My office had an amazing party for me on Wednesday, lots of food, lots of cards, lots of personal connections. Gifts too, I wish I had told them, no gifts. I really don’t need anything. But all this does make one feel appreciated. It also makes me feel appreciated that they want me to come back on a contractual basis every now and then to impart my institutional knowledge. It is always the case when someone retires, knowledge is lost to the organization. Things have to be relearned by the next generation. This is somewhat offset by the fact that the world is changing through advancing technology etc. So, the knowledge that the retiring person has might eventually become obsolete anyway. Better to go out while you are still on top. We have all seen professional athletes who stayed on well beyond their prime. It would have been better to go out while still on top. But it is a hard thing to ...

All That We See or Seem by Ken Liu

My first experience with cyberpunk as a genre of science fiction was Neuromancer by William Gibson. Neuromancer was one of the early works that defined the cyberpunk genre. It was insanely influential. It won the Hugo Award, the Nebula Award, the Philip K. Dick Award. But for me, it just did not resonate. I had a hard time visualizing the concepts. It left a bad taste in my mouth for cyberpunk. I mostly avoided the genre. Then a couple of years ago I read Snow Crash by Neal Stephenson which is cyberpunk (although some people say it is a parody of cyberpunk). Whatever, I liked it. I recently picked up All That We See or Seem by Ken Liu and it immediately became apparent to me that this was cyberpunk. Julia Z is the main character, and I think this is going to be the start of a series following her. She is a hacker (hence cyberpunk). She has got herself in trouble and so she lives on the margins, barely making it. Then a lawyer asks her for her help. His wife has been kidnapped. The ...

Darkness

  There was a moment when I discovered that l liked dark music. I do like dark music. I like minor keys and a haunting theme. I like other kinds of music too, but that darkness speaks to me in a special way. What does that say about me? Am I messed up? I don’t think so. Maybe I am just built that way that haunting tunes or lyrics imparts some inner truth to me. It resonates. I know precisely when I discovered this about myself. It was Summer of 1971. I was 12 years old. I was on a plane with my family heading to Illinois. Airplanes back then did not have much in the way of entertainment, but what they did have were headphones and music channels you could listen to. I was listening to a channel of popular current hits, and a song came on called “That’s the Way I Always Heard it Should Be” by Carly Simon. I had never heard of Carly Simon. This was before “Anticipation” and “You’re so Vain.” She was not yet famous. But this song came on and, I don’t know, it did something to me. It...