Skip to main content

Back on Stage

 


I enjoy doing community theater, but with Covid and other life events, it has been five years since I have been on stage. That is about to change as I am in a production of The Tempest in October. I love Shakespeare, so it was a good one with which to get back on the train. But I had some niggling concerns going in. It has been five years, and I am five years older. Would my older brain still be able to memorize lines as easily as I had in the past? Was my voice up to the challenge of projecting on stage? The memorization has gone okay, but the voice has been an issue. The voice must be trained. Like an athlete that trains their body for a sport, the voice needs practice. The muscles have to get in shape, in particular, the muscles of the diaphragm, which are not used as much in normal speech. My director keeps telling me, “louder” and he is right. My voice is not quite there yet, but it is getting there.

The character I play is Gonzalo, and I have a confession to make. Despite having seen this play a couple of times over the years, I did not remember who Gonzalo was. Prospero, Ariel, Caliban, Miranda, Trinculo, and Stephano: those characters I remembered. But Gonzalo? Not so much. Now that I am playing him, I appreciate Gonzalo. He may not have the flash of Prospero, the magic of Ariel, the monstrousness of Caliban (and Antonio), the slapstick humor of Trinculo and Stephano, but Gonzalo is genuinely a good man. He is sort of the moral center of the play and I like to think that it is his example that teaches Prospero to forgive.

Shakespeare wrote plays based on other material from other writers. This is the only Shakespeare play apparently not based on another work, although it does seem to follow some formulas of other plays, A Midsummer Night’s Dream in particular. This is probably the last play that Shakespeare wrote by himself, and it is a fitting cap to a remarkable career.

So, I sit here a little nervous but mostly excited to be back on stage and to be a part of an ensemble of actors who have been working very hard, pulling together to produce a work of art. O brave new world that hath such people in it!

Star Liner

Comments

Post a Comment

Popular posts from this blog

Second Wind

  You have heard about athletes getting their second wind? It is not that they feel better, that they are warmed up and ready to run more easily. It is not psychological (at least, not all psychological). No. There is an actual physiological truth to a second wind. It all has to do with respiration. When I say respiration, I am not talking about breathing. Respiration is a biochemical process that happens at the cellular level. It is how the cell gets energy. There are lots of chemical processes that are constantly going on in each cell, and those processes require energy. Without a constant feed of energy, the cell will die. The more demands there are on a cell, the more energy it needs. For example, every one of your muscle cells need more energy when you are running.   In fact, you won’t be able to run if the cells don’t have sufficient energy for it. The energy currency of the cell is a molecule called ATP. You may have heard that sugar is how our bodies get energy, which is tr
1 comment
Read more

Roy Batty Figures it out

  This is written with the assumption that the reader has seen the film Blade Runner . If you haven’t, you may not get much out of it. In one of the last scenes in Blade Runner , the killer android Roy Batty, who holds Deckard’s life in his hands, has a remarkable speech: “I've seen things... seen things you people wouldn't believe. Attack ships on fire off the shoulder of Orion. I watched C-beams glitter in the dark near the Tannhäuser Gate. All those moments... will be lost in time like tears in the rain. Time to die.” I am told that the speech that was written was not working very well, and Rutger Hauer was told to just improvise something. Wow. He nailed it. At this point in the film Roy Batty has been the villain throughout. We have been rooting for Deckard (Harrison Ford) to take him out, but it is not going well, and it seems like Batty is about to kill him. At the last second, Roy Batty pulls Deckard up, to keep him from falling to his death. Then he delivers this
Post a Comment
Read more

The Outsider

  I am reading The Outsider by Stephen King. The first 150 pages or so I found disturbing. Not for the reason you might think. It is not scary, not creepy in a traditional horror way, but disturbing in a tragic way. The first hundred to 150 pages is tragedy on top of tragedy. The most disturbing thing to me (it is disturbing to me anytime I encounter it in any story) is a false accusation. A man is falsely accused and may well be convicted of a horrific crime. That kind of thing disturbs my soul. It makes the whole world seem wrong. I have always been disturbed by stories with that kind of thing. And why not? It happens in real life too. That makes it all the more horrific. In the Jim Crow South, all you had to do was make an accusation against a black man to set the lynch mob in action. No need to bother with a trial. But even if there was a trial, the outcome was a foregone conclusion, innocent or not. We see Vladimir Putin inventing charges against people and they get locked up (or
1 comment
Read more